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Chapter 24: Emma Clare Dances Over

After reviewing her long life with her best friend and setting her affairs (including a reconciliation with Bertha) in order, Emma Clare dies. In death, she is reunited with old friends and her family.

  • A true conservative, Emma Clare does not believe that “progress” is anything more than movement. Although she still prefers the old ways, she also understands that the old must die before the new can be born. She is obviously not afraid of death. She and Gertie will come back to pester Herta in chapter 26.
  • “Better and better.” Emma Clare is misquoting a popular affirmation from the 19th-century French psychotherapist Emil Coué: “Every day, in every way, I am getting better and better.”
  • “A hard man is good to find.” This is often attributed to Mae West.
  • The mystery of Julia’s life is finally solved as we learn where she was and what happened to her after she fled the Ozarks. She and Emma Clare are now able to forgive each other.
  • “Banty” is a diminutive form of “bantam.” I had a friend who had an Aunt Banty who was a tiny elderly woman who lived in Long Beach many years before I moved here.
  • When Janie gives Banty Bear to Emma Clare, we see again a strong connection between generations. This recalls Sarah Baxter and little Cindy in chapter 3, where Cindy gives Sarah a pink rose bud; when we see Sarah in the scrying mirror in chapter 17, she’s still holding it. As pagans tend to do, Emma Clare gives honest answers to Janie’s questions.
  • Pete Seeger told the story about Lee Hayes in his Precious Friend concert with Arlo Guthrie in 1981. Julia would have owned the LPs of that concert. I have it on CD. The Weavers, one of the earliest folk-singing groups, was formed in 1948 by Seeger, Hayes, Ronnie Gilbert, and Fred Hellerman. Although they were blacklisted during the McCarthy era, they had enormous influence on groups that followed them, like Peter, Paul and Mary. Hayes died in 1981.
  • Alma at the Cut ’n’ Curl. Oh, all right--Alma cuts my hair. Angelo (mentioned in Chapter 15) bleaches my hair. It’s fun to slip your friends into your books.
  • Alzheimer’s Disease. In 1990, I had a part-time job as the companion to a woman named Fran who had Alzheimer’s and was living in an assisted care home. Fran was 82 years old, but about two years old mentally. Among other things, I ate supper with her, took her out for rides (she loved my John Hartford tape), and put her to bed. To help her settle down, I read to her—Erma Bombeck, P.G. Wodehouse, and a book of Goddess stories. After a few months, she had to be moved to another facility, and I never saw her again, but her daughter told me how she died. People with Alzheimer’s curl up into themselves. Their hands curl into fists, their bodies curl into an unmovable fetal position, and when they lose the ability to swallow, they die. Fran and I made a terrific team—she spent all her time talking to invisible people and I was watching and listening to the invisible people who became the characters in this novel.
  • The transmigration of souls is one of the core doctrines of Theosophy. It teaches that the soul rises from mineral to plant to animal to human to angel. We might think that, like archy the cockroach, Madame Blavatsky is going the wrong direction, but it’s necessary to remember that the cat is the highest form of life. In my imagination, HPB’s soul began in a fluorite mine and progressed to a mugwort bush. Next, she was a Russian bear, then the famous occultist. After spending eight more happy lives as Felis catus, she will begin climbing up through the nine angelic hierarchies.
  • The lambada was a fad dance in the late 1980s. While providing comic relief here as Emma Clare approaches death and Bertha sinks in Alzheimer’s, the cat is also creating a starry path for Emma Clare. She is her psychopomp. Emma Clare dies right after she says, “Good friend.”
  • In Strike up the Band(1940), one of the big numbers is “Do the La Conga,” which is also part of the spectacular 15-minute finale. In this movie, Mickey (age 20) and Judy (age 18) don’t put on a show like they do in Babes in Arms and Babes on Broadway, but enter a radio contest held by Paul Whiteman for the best high school band. The movie was directed by Busby Berkeley, but I’m pretty sure the cat is not using his choreography.
  • The Dweller at the Threshold is an occult term for an invisible entity that attaches itself to a human being. It is said to have been invented by the English author Edward Bulwer-Lytton (1803-1873) for one of his gothic novels. Blavatsky (the author, not the cat) and Alice Bailey also discuss the Dweller. It was Bulwer-Lytton who wrote the famous opening line, "It was a dark and stormy night...." That's why the famous Bulwer-Lytton Fiction Contest to compose the opening sentence for the worst possible novel is named after him. It's hard to write such awful prose. At least on purpose.
  • It is said that when we meet our loved ones on the other side, they look as young as we remember them. I had a near-death experience, but I didn’t see any white light, so I saw no reason for Emma Clare to see it either.
  • The dancing is an obvious metaphor for the active flow of energy through both life and death.
Discussion questions:
  1. How does political conservatism (exemplified by Sarah Palin and other politicians) differ from the kind of conservatism Emma Clare expresses?
  2. Why does Emma Clare have to die? Are you shocked by the death of a major character? Why or why not?
  3. Have you or anyone you know had a near-death experience? What happened? What or who did you see?

Copyright © 2011 by Barbara Ardinger, Ph.D. All rights reserved. Permission granted to print this page of the Secret Lives Reader’s Guide for personal use only.